Quick, easy transcoding
Connect a drive or drop in a folder and transcode all the material or select which folders or source types need to be transcoded.
Cameras formats supported
ARRI ALEXA 65 and ALEXA, ARRIRAW using ADA-5 debayer, ProRes including Apple ProRes 4444 XQ
ARRI AMIRA ProRes
Sony F700, F5, F55 and F65, MPEG2, SStP, XAVC, 2K and 4K RAW
RED 1, EPIC with Dragon, R3D
DPX, DNG, AVI
DSLR CR2, NEF, TIF, TIFF, JPG, JPEG
Flexible output codecs
Choose a codec, frame rate, bit rate. 16 bit RGB workflow ensures high quality results. Accurate control of bit rate for H.264 encoding.
Audio is read from MXF and DPX+WAV sources.
H.264 MP4 with AAC audio
ProRes Proxy, LT, 422, 422 HQ and 4444
DPX 10 bit or 16 bit
CDL, 3D LUT, REC709 Matrix processing
Add a CDL file to apply slope, offset, power and saturation
Add a 16, 17, 32, 33, 64 or 65 point 3D LUT to convert Log material to REC709 or to apply a creative grade
Add a matrix to convert to REC709
Transcode at original size or upres or downres to a new size. Fit Width or Fit Height to create Letterbox or pillarbox with blanking.
Create DPX sequences
Output to 10 or 16 bit DPX or ProRes 4444 for online workflows.
Transcode DPX with Audio
YoYottaID can add audio channels when transcoding DPX image sequences to H.264 or ProRes. Put the audio WAV file into the same directory and give it the same name as the DPX file prefix. Use a . or _ to separate the sequence name from the sequence framecount. Here the sequence name is 4P_01-1.new.0100 and the frame count starts at 86420. Other examples would be VFX174.090000.dpx with VFX174.WAV or Clip1_090000.dpx with Clip1.WAV
Conform and Transcode
Use the YoYottaID Conform option as a source for the Transcode. Easily create over-length selects from the source material for online.